an exploration of resiliEnce
An Exploration of Resilience is about identity, culture, strength, vulnerability, and love - these images are about resilience. This work investigates different facets of people and how they explore themselves. In this series, I am photographing my community of mostly indigenous and mixed heritage people, while challenging preconceived notions of race, gender, and sexuality to touch on how we can become more empathic, empowered people despite the hardships that we have endured. Every photograph, every person, has a story to tell, and I am telling it through their portrait. I hope the viewer can recognize the different sides of these stories, including the pain, but most of all, the subject’s spirit and perseverance.
When I photograph a person, I aim to create the most honest image of them. I believe that each image I take is a collaboration between the person I am photographing and myself. I wouldn’t be able to create the images I do without trust, which makes trust an essential element of my work.
There is urgency to my work. I am part of a generation that is hugely affected by residential schools and settler colonialism. We are in a race against time as we are losing many of our elders, along with our stories, language, and culture. It is a struggle for our generation and for those to come. We need to spend time listening to our elders and learning from them. I often feel torn between worlds - between my culture, people, and land, and the world that I am trying to break into as an artist. Many of my peers struggle with this as well - with holding onto our identities and re-discovering ourselves in this era of settler colonialism. These are topics I bring forth in my work. I am imaging a resilient community that is fighting to rediscover itself within difficult contexts. This community includes people who grew up immersed in their culture, knowing exactly who they are and where they come from; it also includes people who grew up away from their land and their community for many different reasons, including the affects of colonization, residential schools, and lateral violence. Many of our parents were stolen at a young age, ripped away from their land and placed in the horrendous institution of residential schools. This has created a huge gap in passing down our culture.
Many of our relatives were and continue to be inappropriately photographed and misrepresented. I am working to redress this from behind and in front of the lens by creating images of contemporary indigenous people from an indigenous perspective. Through the timeless lens of the tintype, and in collaboration with my subjects, the relationship between the process of creation and the person being photographed is made manifest.
I want to extend my gratitude to everyone involved with this project.
Mussi Cho
Kali Spitzer
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